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3.16 Oscar Rejlander, photos

Summary

< Back to Introduction Darwin’s plans for the illustration of his book The Expression of the Emotions in Man and Animals (1872) led him to the Swedish-born painter and photographer, Oscar Gustaf Rejlander. Rejlander gave Darwin the notes that he had…

Matches: 15 hits

  • him financially on at least one occasion. Already in 1871, their association had extended beyond
  • inscribed by the sitter: ‘R.B. Litchfield, Down, 31 Aug. 1871’; this was the wedding day of
  • Darwin recorded payments to him in May, August and October 1871, and in March and August 1872, but
  • to have met Rejlander in London in the first week of April 1871, and may have posed in his studio, a
  • to his son Leonard) was copyrighted by Rejlander in April 1871, and reproduced in the London
  • periodical press.   On 11 November 1871, Rejlander sent Darwina bundle of cards’, which
  • This supposition is strengthened by the fact that in October 1871 Darwin himself had written to the
  • front page of The Illustrated Review on 15 November 1871, and was later re-used, with
  • Perhaps the most tendentious use of it was in Lorenzo Niles Fowlers Phrenological Magazine , …
  • of image Oscar Rejlander 
 date of creation 1871 
 computer-readable
  • Darwins letter to his daughter Henrietta of 20 March 1871, re. his plans for a London trip (DCP
  • 176.116). Letters from Darwin to Elliott and Fry, 23 April [1871] (DCP-LETT-7710A), and to the
  • Wood engraving in The Illustrated Review, 2: 27 (15 Nov. 1871). Wood engraved vignette, paired
  • in Life and Letters , vol. 3, appendix 3, p. 372. Sarah K. Bolton, Famous Men of Science (New
  • and New York: Bloomsbury Visual Arts, 2020), pp. 26-30. J van Wyhe, ‘Iconography’, pp. 141142, 170